![ComposersbyNumbers](/img/default-banner.jpg)
- 2 332
- 37 775 492
ComposersbyNumbers
Приєднався 11 лип 2013
M. Haydn - P 133, MH 84 - Ballet : Der Traum
Movements are :
- Act I - Entrada : Allegro assai (0:00)
- Act I - Allegro staccato (1:59)
- Act I - Allegro assai (2:21)
- Act I - Andante (2:36)
- Act I - Accompagnato (Prinzessin) Carnefice empio (4:20)
- Act I - Arie (Prinzessin) Andate perfido (7:30)
- Act I - Marcia turchesa & Aria (Vitzle Putzle) Gil Ay hauta Kul (11:11)
- Act I - Marcia : Allegretto (15:55)
- Act II - Entrada : Allegro molto (16:58)
- Act II - Andante (19:12)
- Act II - Presto furioso (21:20)
- Act II - Andante (21:48)
- Act II - Allegro (23:22)
- Act II - Allegretto (24:15)
- Act II - Andante - Allegro - Allegro assai (25:20)
- Act II - Canzone pastorale (Damon, Prinzessin) O Amaryllis! (27:20)
- Act II - Allegretto (32:25)
- Act II - Presto - Andante (35:45)
- Act II - Rezitativ (Merkur) Quid fugis insani (36:25)
- Act II - Arie (Merkur) Ars illa palma (36:52)
- Act II - Ballo finale (41:56)
Dated 7 February 1767 in Salzburg.
Performers: Christiane Boesinger (soprano) Prinzessin Amaryllis; Robert Holl (Bass) Vitzle Putzle, Damon; Markus Forster (counter-tenor) Merkur; Salzburger Hofmusik, conducted by Wolfgang Brunner.
- Act I - Entrada : Allegro assai (0:00)
- Act I - Allegro staccato (1:59)
- Act I - Allegro assai (2:21)
- Act I - Andante (2:36)
- Act I - Accompagnato (Prinzessin) Carnefice empio (4:20)
- Act I - Arie (Prinzessin) Andate perfido (7:30)
- Act I - Marcia turchesa & Aria (Vitzle Putzle) Gil Ay hauta Kul (11:11)
- Act I - Marcia : Allegretto (15:55)
- Act II - Entrada : Allegro molto (16:58)
- Act II - Andante (19:12)
- Act II - Presto furioso (21:20)
- Act II - Andante (21:48)
- Act II - Allegro (23:22)
- Act II - Allegretto (24:15)
- Act II - Andante - Allegro - Allegro assai (25:20)
- Act II - Canzone pastorale (Damon, Prinzessin) O Amaryllis! (27:20)
- Act II - Allegretto (32:25)
- Act II - Presto - Andante (35:45)
- Act II - Rezitativ (Merkur) Quid fugis insani (36:25)
- Act II - Arie (Merkur) Ars illa palma (36:52)
- Act II - Ballo finale (41:56)
Dated 7 February 1767 in Salzburg.
Performers: Christiane Boesinger (soprano) Prinzessin Amaryllis; Robert Holl (Bass) Vitzle Putzle, Damon; Markus Forster (counter-tenor) Merkur; Salzburger Hofmusik, conducted by Wolfgang Brunner.
Переглядів: 13 645
Відео
M. Haydn - P 82, MH 652 - Minuet in B flat major
Переглядів 6 тис.5 років тому
Composed for Symphony No. 33 in B flat major, P 24, MH 425. Dated 16 February 1797 in Salzburg. Performers: Deustche Kammerakademie Neuss, conducted by Frank Beermann.
M. Haydn - P 70, MH 354 - 6 Menuetti
Переглядів 7 тис.5 років тому
Dated 23 January 1784 in Salzburg : - No. 1 in A major (0:00) - No. 2 in C major (2:37) - No. 3 in B flat major (4:50) - No. 4 in G major (7:08) - No. 5 in D major (9:19) - No. 6 in E major (11:31) Performers: Deustche Kammerakademie Neuss, conducted by Johannes Goritzki.
M. Haydn - P 65, MH 601 - Marcia turchese in C major
Переглядів 6 тис.5 років тому
Dated 6 August 1795 in Salzburg. Performers: Bläserensemble des Ferdinandeums, conducted by Alfredo Bernardini.
M. Haydn - P 64, MH 515 - March in D major
Переглядів 3,1 тис.5 років тому
Dated 12 June 1790 in Salzburg. Performers: Deutsche Kammerakademie Neuss, conducted by Johannes Goritzki.
M. Haydn - P 62, MH 441 - March in D major
Переглядів 3,1 тис.5 років тому
Dated 7 July 1787 in Salzburg. Performers: Deutsche Kammerakademie Neuss, conducted by Johannes Goritzki.
M. Haydn - P 59, MH 421 - March in F major
Переглядів 2,8 тис.5 років тому
Dated 30 June 1786 in Salzburg. Performers: Deutsche Kammerakademie Neuss, conducted by Johannes Goritzki.
M. Haydn - P 58, MH 67 - March in D major
Переглядів 8 тис.5 років тому
Dated 22 July 1764 in Salzburg. Performers: Oradea Philharmonic Orchestra, conducted by Romeo Rîmbu.
M. Haydn - P deest, MH 207 - Violin Concerto in A major
Переглядів 9 тис.5 років тому
Set in 3 movements: - Allegro ma non troppo (0:00) - Adagio (7:00) - Rondeau : Presto (11:32) Composed between 1773 and 1775 in Salzburg. Performers: Barnabas Kelemen, violin; Erkel Ferenc Chamber Orchestra.
M. Haydn - P deest, MH 60 - Trumpet Concertino in C major
Переглядів 6 тис.5 років тому
Set in 2 movements: - Adagio (0:00) - Allegro molto (4:52) Most likely from a lost serenade composed in 1763 in Salzburg. Performers: Franz Landlinger, trumpet; Salzburger Hofmusik, conducted by Wolfgang Brunner.
M. Haydn - P 134, MH 134 - Horn Concerto in D major
Переглядів 8 тис.5 років тому
Set in 3 movements: - Larghetto (0:00) - Allegro non troppo (6:10) - Menuetto (11:18) Most likely part of a lost serenade. Composed circa 1770 in Salzburg. Performers: Johannes Hinterholzer, horn; Salzburger Hofmusik, conducted by Wolfgang Brunner.
M. Haydn - P deest, MH 53 - Horn Concerto in D major
Переглядів 3,5 тис.5 років тому
Set in 3 movements: - Allegro moderato (0:00) - Adagio (5:46) - Allegro (10:47) Wrongly attributed to his brother Joseph (Hob VIId:4). Composed circa 1762 in Salzburg. Performers: Johannes Hinterholzer, horn; Salzburger Hofmusik, conducted by Wolfgang Brunner.
M. Haydn - P deest, MH 52 - Violin Concerto in G major
Переглядів 4,5 тис.5 років тому
Set in 3 movements: - Moderato (0:00) - Adagio amoroso (6:50) - Allegro (13:37) Wrongly attributed to his brother Joseph (Hob VIIa:G1). Composed circa 1762 in Salzburg. Performers: Barnabas Kelemen, violin; Erkel Ferenc Chamber Orchestra.
M. Haydn - P 56, H 105 - Flute Concerto in D major
Переглядів 4,8 тис.5 років тому
Set in 3 movements : - Allegro moderato (0:00) - Andante (6:21) - Allegro assai (12:06) Composition started in 1765 in Salzburg. Performers: Linde Brunmayr-Tutz, flute; Salzburger Hofmusik, conducted by Wolfgang Brunner.
M. Haydn - P 55, MH 41 - Concerto for viola & organ in C major
Переглядів 11 тис.5 років тому
M. Haydn - P 55, MH 41 - Concerto for viola & organ in C major
M. Haydn - P 54, MH 81 - Flute Concerto in D major
Переглядів 6 тис.5 років тому
M. Haydn - P 54, MH 81 - Flute Concerto in D major
M. Haydn - P 53, MH 36 - Violin Concerto in B flat major
Переглядів 7 тис.5 років тому
M. Haydn - P 53, MH 36 - Violin Concerto in B flat major
J. M. Kraus - VB 23 - Aeneas i Carthago - Acts II & III (Sung in German)
Переглядів 2,8 тис.5 років тому
J. M. Kraus - VB 23 - Aeneas i Carthago - Acts II & III (Sung in German)
W. A. Mozart - KV 297B (Anh.9) - Sinfonia Concertante in E flat major
Переглядів 21 тис.7 років тому
W. A. Mozart - KV 297B (Anh.9) - Sinfonia Concertante in E flat major
J. Haydn - Hob XXVIIb:46 - Thy voice o Harmony in C major
Переглядів 3,8 тис.7 років тому
J. Haydn - Hob XXVIIb:46 - Thy voice o Harmony in C major
J. Haydn - Hob XXVIIb:45 - Turk was a faithful dog in B flat major
Переглядів 2,9 тис.7 років тому
J. Haydn - Hob XXVIIb:45 - Turk was a faithful dog in B flat major
J. Haydn - Hob XXVIIb:44 - Gott im Herzen in F major
Переглядів 1,7 тис.7 років тому
J. Haydn - Hob XXVIIb:44 - Gott im Herzen in F major
J. Haydn - Hob XXVIIb:43 - Wunsch in G minor
Переглядів 1,3 тис.7 років тому
J. Haydn - Hob XXVIIb:43 - Wunsch in G minor
J. Haydn - Hob XXVIIb:42 - Der Fuchs und der Adler in C major
Переглядів 8017 років тому
J. Haydn - Hob XXVIIb:42 - Der Fuchs und der Adler in C major
J. Haydn - Hob XXVIIb:41 - Frag und Antwort zweier Fuhrleute in G minor
Переглядів 1 тис.7 років тому
J. Haydn - Hob XXVIIb:41 - Frag und Antwort zweier Fuhrleute in G minor
J. Haydn - Hob XXVIIb:40 - Liebe zur Kunst in G major
Переглядів 7007 років тому
J. Haydn - Hob XXVIIb:40 - Liebe zur Kunst in G major
J. Haydn - Hob XXVIIb:39 - Der Nachbar in G minor
Переглядів 6667 років тому
J. Haydn - Hob XXVIIb:39 - Der Nachbar in G minor
J. Haydn - Hob XXVIIb:38 - Die Flinte und der Hase in G major
Переглядів 6187 років тому
J. Haydn - Hob XXVIIb:38 - Die Flinte und der Hase in G major
J. Haydn - Hob XXVIIb:37 - Der Bäcker und die Maus in D major
Переглядів 6207 років тому
J. Haydn - Hob XXVIIb:37 - Der Bäcker und die Maus in D major
Such a stunning work
SUBLIME 🌎🎀🌟💫💫✨
LOVE THIS SO MUCH!!!!!!!!!!!!!!!!!
Puro amor❤❤❤❤❤❤❤❤
There are some really lovely themes and energy in this one. Too bad that the piano sound sounds slightly muffled all the time, though I suspect that might be intentional.
Huge thanks to The Hanover Band and Anthony Halstead for being the ONLY ones to have recorded almost all of the keyboard concertos by the great JC Bach.
among my favorite concertos.
The 1st movement is allegretto.
Danke für das Hochladen! Was wären wir doch arm ohne Papa Haydn...
Yet another stunning but mostly 'unknown' work by JC Bach. Beautiful
A stunning and genius work
4:08 “I was staring through the cage of those meticulous ink strokes - at an absolute beauty”
Sounds like im walking towards the pearly gates, heavenly music
This is written for piano, oboe, French horn, violin, viola, cello, and double bass.
Gecomponeerd in Den Haag tijdens toernee door Europa
So perfect
Genius
This is terrible music.
🌿 🎹 💙
God is Love! Amin!
Mozart’s music is the cat’s pajamas
This is written for the piano, flute, oboe, French horn, trumpet, timpani, violin, viola, cello, and double bass.
There needs to be a Fantasia devoted solely to Mozarts music
一曲目は歌劇フィガロの結婚のアリア、もう飛ぶまいぞこの蝶々のメロディ。
It wasn't attributed to Mozart. So why did you write Mozart on this video?
Mozart and his freemasonic hidden hand
This is a violin concerto for the oboes, French horns, violins, violas, cellos, and double basses.
Thanks for rendering this torso
That’s a French horn concerto.
Wolfgang Amadeus Mozart only wrote 1 oboe quartet written for oboe, violin, viola, and cello. It’s in 3 movements in F major for the 1st and 3rd movements but in D minor for the 2nd movement.
Carnival in the year 1777 in Europe began 26 December 1776 & lasted until Lent began on Ash Wednesday 19 February 1777 - a time of year that after becoming court composer to Joseph II on 22 November 1788 kept M. busy with writing Carnival court dances - but Salzburg back in 1777 made up for all the snow & ice on the ground by celebrating with wild abandon - whilst it was still allowed ! LoL
Andante kind of sounds like God Save the Queen
7:45 - 8:31
I love this little symphony, specially the 2nd movment! Mozarts intro is also nice! :)
Perle!!!
Sempre meravigliosamente elegante!!
Still beautiful, even thought for reduced forces.
From Bridgerton
Danke an Klassik Radio. Man stößt hier immer wieder auf weniger bekannte Komponisten, so wie jetzt bei Wölfl. Sehr schönes Werk!
Espléndida
05:07
Jupiter Symphony? 😅
Pretty cheery for a kyrie eleison
Why does this recording sound so weird. It's like it's sped up
When I was 8 years old I smelled my glue in class!
Que bella música.te reconstruye el cerebro.grandes genio de la música Santiago chile
Some would take umbrage at the fact that this Missa Brevis in C-major lacks ‘middle voices of divided violas’ - which during Nativity masses were forbidden in many churches in Austrian as ‘being too sensual’ - which cause ‘a big hole in the middle’ of the orchestration - but M. was able quite deftly to get around these obnoxious restrictions by having the second violin and organ continue & oboes to help fill in the gap in harmony (which must have irked him no end) - as well as the fact that Prince Archbishop Colloredo kept shortening the length of sung masses in Salzburg (‘My work has been cut again ! Before long that fatuous Arch Booby’s sung masses will have been trimmed down to barely five minutes - that is, if he has his way !’) M. wrote to the famous contrapuntalist Padre Martini of Bologna in 1776 with an example (K. 222) of his latest contrapuntal efforts - still in progress-to get some competent feedback from the great master himself - It had been written a year before in March 1775 at the behest of the Elector of Mannheim who after La Finta Giardiniera (K. 196) wanted to hear an example of the young boy’s contrapuntal skills… The letter to Bologna was revealing for the kind of irksome restrictions placed on Salzburg composers - - (‘We here in Salzburg are unfortunately suffering greatly at the moment for lack of established local professional singers which naturally (unlike you fortunate Italians !) hamper the production of operas here - and as for the sung Mass, our Archbishop demands that no Mass may ever last longer than 45-minutes from start to finish - even the most solemn ones - which willy-nilly forces composers here to set the sacred words of the established Latin text in an unnaturally truncated fashion which is not the way sung Masses should be composed - and is never the case in Italy !’) This charming Mass dating from December 1776 is just such an example of a ‘Missa Brevis’ where M. was ‘forced by orders-from-headquarters’ to spit out in such an unnaturally truncated fashion - but the music shines through despite all these unnecessary restrictions on his ever-flowing melodic genius …
He’ll no
He’s the master
Omg, the classic 3 make ancient art great again. It's primitive but I can not help thinking about ancient Greece and its art when I hear such music. Air, sun beams in everything, Mozart especially is a sculpture in sounds. Haidn is more like philosophy and Beethoven is a Michelangelosque monumental rome-selevkid sound. They are a monumentum of antic art and culture revived by Christianity. Paradox but devine.